(Capitol Records)Returning to the critic-confounding solo home recordings of his McCartney series, this album is – some oddities and filler aside – affectingly personal and hugely enjoyable, Last modified on Thu 10 Dec 2020 23.37 EST. He also told Swift how proud he was of a table he made himself – dovetail joints, no nails! Although that 1970 release – recorded on a four track, in a wound-licking post-Beatles funk – is now regarded as a low-fi classic, Lennon sneered that it was “light and easy … Englebert Humperdinck music”. Craftsmanship and optimism make McCartney’s new solo album a treat, Getaway Deals now up to 15% off with this Booking.com discount, Use this Debenhams discount and save up to 70% on men's lines - Spring offer, 20% off fitness with this exclusive Ideal World promo code, Receive a £2 AliExpress promo code with the official App, Argos promo code: £200 off this 65" LG OLED TV. Seize the Day features the prickly, defensive McCartney of Silly Love Songs – “it’s still all right to be nice,” he protests, a sentiment that gains heft in a world of snarling binary divisions – set to a melody that’s almost preposterously McCartney-esque, navigating its twists and turns without appearing to break a sweat. Paul McCartney surprises with 'McCartney III' | ALBUM REVIEW TRACKLISTING: 1. If Lavatory Lil is a moment where the process behind McCartney III – recorded in lockdown, with its author in charge of everything – has led to a self-indulgent lapse of judgment, the rest of the album finds him letting his guard down in far more appealing ways. A certain freedom is evident in opener Long Tailed Winter Bird, a lovely instrumental that’s allowed far more room to breathe than you suspect McCartney in more commercially minded mood would permit. Watch this video for my review of "Mc... Paul McCartney has kept busy during the COVID lockdown... or "rockdown" as he calls it... and has recorded a new album! There are bluesy grooves on the chunky, Helter-Skeltery riffs of “Slidin’”, the organ driven “Deep Deep Down” and the thinner, more spiteful “Lavatory Lil” (about a former work associate who did him wrong). Genres: Pop Rock, Art Pop. This tornado of a track is then followed by the surprisingly comforting “Find My Way”, a typically jaunty bit of McCartney dittyfying on which the happy-go-lucky melody-maker assures his more anxious friends and fans that he’s there for us all “day or night”. The third installment in McCartney’s home-recorded series is less adventurous and revelatory than its eponymous predecessors, but still contains moments of genuine wonder and weirdness. Long Tailed Winter Bird 2. History suggests that critics should consider treading carefully when it comes to McCartney III. In times of crisis, McCartney III, an Album by Paul McCartney. It’s interesting to hear him sitting with these ideas for so long. Do you?”. Similarly personal, if more oblique, Pretty Boys puts the audibly aged aspect of his voice to use, quaveringly describing its titular subject as “a line of bicycles for hire, objects of desire … a row of cottages for rent for your main event”. Here is my OFFICIAL review! Reeling in disbelief that the architect of She’s Leaving Home and Hey Jude could offer up something so ramshackle as his solo debut, the Melody Maker suggested the former’s contents were both “sheer banality” and evidence that the really talented one in the Beatles was George Martin. Like the two self-titled albums that preceded it, McCartney III is the product of an exquisite talent for melody, a boundless sense of musical adventure and a mischievous streak a mile wide. He describes the Fab Four stranded in the snow, standing in a stumped circle until one of them said: “Well, something will happen.”. In fact, it feels more like a successor to the interminable joke track Bogey Music, one bit of McCartney II that not even the nuttiest Macca fan has attempted to reassess. Its melodies slowly entwine and uncoil over eight minutes involving lengthy instrumental passages, falsetto vocals, shifts in tempo, a Mellotron-esque synth that recalls the opening of Strawberry Fields Forever (as with Winter Bird/When Winter Comes’ nod to the bucolic atmosphere of 1971’s Ram, it’s the kind of musical self-reference that never seems accidental on a McCartney album) and an acoustic coda. 'McCartney III' is a spontaneous gem that once again proves why Sir Paul is the greatest singer-songwriter of modern times. When asked how often he thinks of John Lennon – who was murdered 40 years ago on 8 December – he admits he’s still in a degree of denial. McCartney III will likely go down as one more intriguing artifact from this deeply strange year: an above-average quarantine album from one of the highest-profile artists yet to share their lockdown material. He might also have balked at releasing Slidin’ on the grounds that it was too obviously a homage to Queens of the Stone Age, albeit one laced with an infectious sense that its author is having a high old time. The finger-hammering fretwork and slam-strumming of the hypnotic, interwoven guitar patterns is so wild and vigorous that you’d never guess the man making it was well into the pandemic’s “vulnerable” demographic. Culture Music Reviews Paul McCartney III review: Melodic charm, craftsmanship and open-minded optimism make this solo album a real treat McCartney’s … Its two predecessors, 1970’s McCartney and 1980’s McCartney II, were greeted with widespread horror: it’s a close-run thing, but they may be the worst-reviewed albums of Paul McCartney’s entire career. But at the centre lies the marvellous eight-minute sonic adventure, “Deep Deep Feeling”, which warps and shifts its shape – mixing dreamscape piano with trip-hoppy electronica – as the singer muses on “the deep deep pain of feeling … emotion/ Sometimes I wish it would stay/ Sometimes I wish it would go away”. The guitar is backed by a battered drum kit, spooky, high-blown storm currents of malfunctioning whistles or recorders and insistent ghost vocals chanting: “Do you, do do you miss me? In the conversation arranged by Rolling Stone magazine, the 78-year-old legend reminded the 31-year-old pop star that he was born during the Second World War, and grew up gripped by the war stories of the old ladies who lived in the same housing estate as him. Its two predecessors, 1970’s McCartney and 1980’s McCartney II, were greeted with widespread horror: it’s a close-run thing, but they may be the worst-reviewed albums of, Paul McCartney: McCartney III album cover, Commenting has been disabled at this time but you can still, Robin Guthrie and Harold Budd: Very Slender Homage. On cassette, CD and on vinyl in almost as many shades as on the Pantone® Color Chart. Unlike his last 'McCartney III' is a spontaneous gem that once again proves why Sir Paul is the greatest singer-songwriter of modern times. The end result has its flaws, but the sentiment certainly doesn’t. 5 days ago. The disparity between the initial reviews and their later standing suggests that McCartney’s one-man-band solo albums only reveal their true glory in the fullness of time, an idea that whirls around your head when you’re confronted with McCartney III’s Lavatory Lil. Find My Way 3. Join thought-provoking conversations, follow other Independent readers and see their replies. You just have to smile. Paul McCartney: McCartney III Imagined review – classy remixes by proxy Neil Spencer. Left alone with his thoughts like the rest of the world, Paul McCartney turned solitude into something unifying. There are moments of filler – Deep Down’s vaguely R&B-ish groove rambles a little – but this is the most straightforwardly enjoyable and certainly the most personal McCartney album since 2005’s haunted, twilit Chaos and Creation in the Backyard. istory suggests that critics should consider treading carefully when it comes to McCartney III. Paul McCartney has already carved out his role as the elder statesman in pop music. Rated #987 in the best albums of 2020. Lennon famously mocked McCartney’s first solo album. It gets a thumbs up from me. One school of thought has the ragged, home-recorded McCartney as the forebear of the alt-rock subgenre that came to be known as lo-fi; the synth-heavy McCartney II has been rediscovered by DJs and hailed as presaging electronic bedroom pop. But McCartney likes to tell the story of how his experimentation with synths and sequencers on his second, post-Wings solo album (McCartney II, 1980) spurred Lennon to get back into the studio himself. Want to bookmark your favourite articles and stories to read or reference later? Deep Deep Feeling, meanwhile, may be the best song to bear McCartney’s name in more than a decade. 'I was shattered' – Paul Weller, Booker T and more on the day the Beatles split. Comparing notes with Taylor Swift on the DIY albums they both made in lockdown, Sir Paul McCartney reflected on the hard times he has survived. Do you, do do you feel me? This isn’t a superannuated rocker sneering at latter-day manufactured pop bands, but something fonder and more personal: a man knocking on 80 who was the subject of teen hysteria a lifetime ago, who gave up playing live because he couldn’t hear himself over the screaming. Album reviews: Paul McCartney – III Imagined and AJ Tracey – Flu Game. He doesn’t need to create any more music, and at this point a great album or terrible album isn’t going to come close to changing anyone’s opinion on him. https://www.theguardian.com/.../dec/10/paul-mccartney-mccartney-iii-review Start your Independent Premium subscription today. And he ended the conversation with a quirky anecdote about the time The Beatles’ van slid into a roadside ditch during a blizzard. Want an ad-free experience?Subscribe to Independent Premium. Less successful are songs like the self-important piano preachifier “Women and Wives” and the slight-but-overblown “Seize the Day”, with an electric guitar solo that sounds like it was played by a formulaic Brian May-bot. McCartney II fared even worse: “electronic junk … crude … torture” offered one contemporaneous review, while another suggested that McCartney had “shamed himself” by releasing it. YES! Without a living Lennon to impress, McCartney now says he often imagines they’re writing together again: “I now will often think, if I’m writing a song, ‘OK, John – I’ll toss it over to you. Released 18 December 2020 on MPL. Weird, wonderful and whimsical, McCartney III finds the walrus on inspirational form. https://ew.com/music/music-reviews/paul-mccartney-iii-review As to whether it joins Volumes I and II in the pantheon of undisputed solo McCartney classics, time will tell: as the afterlife of its predecessors demonstrates, the future is hard to predict. Be warned, there are spoilers in this video! “You never used to be afraid of days like this/ And now you're overwhelmed of your anxieties/ And let me help you out, let me be your guide/ I can help you reach the love you feel inside.” It reminds me of the stories of how – while imprisoned for drug possession in Japan in 1980 – he would lead singalongs of songs like “The Red Red Robin” in the communal showers to raise morale. Featured peformers: Paul McCartney (vocals, all instruments, producer, photography, songwriter), Steve Orchard (engineer), Keith Smith (assistant engineer), Randy Merrill (mastering), Ed Ruscha (cover art, typography), Mary McCartney (photography, … Guitar man (and every other instrument) ... Paul McCartney. I have heard "McCartney III" numerous times, in great sonic quality. It’s moving because he knows of what he speaks. McCartney cements his legacy as a pop-rock godfather by inviting a younger generation of … These anecdotes express the commitment to down-home storytelling, craftsmanship and open-minded optimism that make his third solo album such a treat. McCartney’s mood-hopping rattle bag of a third solo album sounds more like a descendant of The Beatles’ ‘White Album’ than anything else, Find your bookmarks in your Independent Premium section, under my profile, Without a living Lennon to impress, McCartney now says he often imagines they’re writing together again. https://www.uncut.co.uk/reviews/album/paul-mccartney-mccartney-iii-128984 McCartney III is released on 18 December. McCartney III is 18 December 2020. A jaunty excoriation of a gold-digger, the best thing you can say about it is that it isn’t quite as awful as its title leads you to fear. Today, McCartney and McCartney II are two of the most revered albums in their author’s solo catalogue, moments where he temporarily forgot his commercial impulses – but not his innate gift for melody – and allowed his more experimental side free rein. Robin Guthrie and Harold Budd: Very Slender HomageFrom the album released a week before Budd’s death, Another Flower, an appropriately titled sliver of delicate beauty. It opens with an exhilarating blast of swamp blues called “Long Tailed Winter Bird”. From there McCartney showcases his still effortless melodic charm on acoustic numbers “Pretty Boys” (about male models), “The Kiss of Venus” (inspired by an astrology book he was given by Jools Holland’s wife) and “When Winter Comes” (an old pastoral yarn about his farm on which he mulls, “I must dig a drain by the carrot patch…”). There’s always the chance that, by the middle of the century it’ll be claimed as the worthy descendent of the Beatles’ Polythene Pam, or the version of the ribald Liverpool folksong Maggie Mae that snuck on to Let It Be, but that feels a stretch: it’s not as weird or funny as the former and nor does it have the latter’s sense of history, Maggie Mae being a song the pre-Beatles skiffle band the Quarrymen used to perform. McCartney III is not a great album, and doesn’t come close to holding a candle to McCartney I and II. What line comes next?’ So I’ve got a virtual John that I can use.” Perhaps this explains why McCartney’s mood-hopping rattle bag of a third solo album sounds more like a descendant of The Beatles’ White Album than anything else. https://faroutmagazine.co.uk/paul-mccartney-mccartney-iii-review AllMusic Review by Stephen Thomas Erlewine [+] Paul McCartney faced the COVID-19 lockdown of 2020 like he faced so many other unexpected challenges in his life: he set out to make music on his own. Music Review: Paul McCartney - McCartney III November 24, 2020 By Chaz Lipp, Contributor Arriving right around the mid-point of Paul McCartney's third completely DIY album, McCartney III, is an extended song called "Deep Deep Feeling." The lyrical examination of emotional extremes feels authentically confessional. – while “at a bit of a loose end” after The Beatles broke up. Paul McCartney: McCartney III review – light from the bunker. 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